This blog contains the materials for my Face|Resection project. All materials are free to view and download. Please feel free to use and disseminate as desired, but please make sure to credit me (and preferably link to the hosting site). I want this resource to be available and helpful, but being properly credited for its public use is incredibly important as both a freelancer and as a person making a living as adjunct faculty. 

 If you would like to purchase a coil bound hardcopy, email me (matt.j.barbier [at] gmail.com).  

Browsing Archive: December, 2015

Advanced Split-tone applications

Posted by mattbarbier on Thursday, December 31, 2015,

On the whole, the following exercises are based off of 3:2 split-tones [tones split from the 3rd partial down to the 2nd]. This is because they can often be a solid base when exploring various manipulations of the split-tone. 3:2 provide a reliable groundwork for two primary reasons.

First, given that the 3:2 split-tone is the lowest traditional split-tone, there is nowhere for the split to fall if pushed out of focus and lost when exploring these extensions. With higher split-tones, ...


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Split-tone Basics

Posted by mattbarbier on Thursday, December 31, 2015,

Section 1A: What is a split-tone?


A split-tone is a type of lip multiphonic achieved by splitting the embouchure between two adjacent partials, creating a dyad-based multiple sonority on a brass instrument. Lip multiphonics differ from voice multiphonics in that they are multiple sonority created entirely by the player's lips- as opposed to the more common voice multiphonics, which is a combination of singing and playing. This book focused primarily on split-tones as they are main techniq...


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Downloadable pdfs of all material are below


faceresectiontextfinal.pdf faceresectiontextfinal.pdf
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faceresectionvolume1.pdf faceresectionvolume1.pdf
Size : 2664.849 Kb
Type : pdf



 

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